提取码:
kkkkkkkkk.net
Avril Lavigne2007-04-17专辑 - The Best Damn Thing～～～
艾薇儿是个很清楚自己想要什麽的女孩。因此在她创作歌迷们期盼许久的第三张专辑「The Best Damn Thing」时，她的脑海中已经有了非常明确的目标：要让这张专辑很有趣。当艾薇儿在2004年为了她的上一张在全球创下八百万张销售佳绩的专辑「Under My Skin」巡迴表演的时候，这位在加拿大出生的庞克-流行劲妹发现她比较偏好表演速度与节奏较快的歌曲，于是，她决定要录制一张专辑，这张专辑要能捕捉到这种让她在舞台上尽情宣洩的衝劲十足、火力全开的超高能量。
「The Best Damn Thing」盛满了热腾腾的吉他演奏、信手拈来就让人琅琅上口的热闹副歌、强力流行朋克、以及叛逆的摇滚态度。这和调性较灰暗、内敛的「Under My Skin」专辑大相迳庭，而在一些像是直率、奔放、跟劈腿男友说掰掰的“Everything Back But You”之类的歌曲裡，艾薇儿兴致盎然地为她的歌词构思出虚构情节，而且就像她所说的，这次的歌词灵感不是「直接源自我的日记裡」。结果艾薇儿创造出这些收录在本张专辑中的作品，展现出她在创作以及歌唱方面日渐成长的足迹。从优美、有力的“I Can Do Better”（这是艾薇儿个人最偏爱的歌曲之一）到韧性跃动的第一首主打单曲“Girlfriend ”－这首歌曲出人意料之外地将嘻哈节拍与强而有力的副歌、拍手声以及女生团体风格的合唱结合在一起，又在其中注入朋克摇滚的改造－，再到情感盈溢的抒情曲“"Keep Holding On”─这首歌曲是艾薇儿受邀为20世纪福克斯公司的幻想/冒险片「龙骑士（Eragon）」所特别创作的─，都是最好的佐证。
拥有一双对于强劲、有吸引力的流行旋律特别敏锐而且训练有素的耳朵，艾薇儿因此可以积极参与「The Best Damn Thing」专辑的每一个创作阶段：从独立谱写自己的歌曲（「我在创作这张专辑裡的歌曲时，身边没有唱片公司的人来左右我的意见。」她特别强调，「我非常清楚我要什麽样的音乐。」），到选择制作人和合作伙伴，再到回到录音室裡一再琢磨吉他和鼓声，艾薇儿都亲自悉心参与，好确保这张专辑将成为她至今最棒的一张作品。这几年她的态度或许更圆融了些，但她仍是无与伦比、勇敢大胆的艺人。「The Best Damn Thing」展现出艾薇儿迈入新阶段后的生命，她已经走过愤世嫉俗的灰暗青少年时期，并且再度于聚光灯下昂首挺立，她已经准备好要尽情享受工作的乐趣、尽情摇滚、甚至尽情舞蹈。这就是－正如她在专辑标题中所说的－她所做过的最棒的事。
The first clue to the sound of Avril Lavigne's third CD, The Best Damn Thing, comes in the form of her kickoff single, "Girlfriend," which is filled with singing, clapping, and cheerleader-style chanting. The song is quite a sonic contrast to her previous disc, Under My Skin, which was considered to be Lavigne's more mature follow-up to her 16 million-selling debut CD, Let Go. Like that debut, The Best Damn Thing will be largely and deeply embraced by teenage girls, and is packed with songs that will create enthusiastic sing-alongs in concert. There are a handful of numbers that will appeal to a wider audience; "Innocence" and disc closer "Keep Holding On" would both fit perfectly in a Gray's Anatomy episode, while the sultry message and solid harmonies in "Hot" will appease ears of many ages. Lavigne's husband, Sum 41 frontman Deryk Whibley makes an appearance as producer and instrumentalist on a handful of tracks; their union, however, seems to have bred more than love. "I Don't Have to Try" and "Everything Back But You" both have a frenetic pace and chorus that is so eerily Sum-like that if they weren't married, a copyright lawsuit might ensue. That aside, the record oscillates between lyrically acerbic fare ("One of Those Girls," "I Can Do Better") and fluffy sugar-pop melodies ("Contagious," "The Best Damn Thing") delivering far more spunk rock than punk rock.
艾薇儿是个很清楚自己想要什麽的女孩。因此在她创作歌迷们期盼许久的第三张专辑「The Best Damn Thing」时，她的脑海中已经有了非常明确的目标：要让这张专辑很有趣。当艾薇儿在2004年为了她的上一张在全球创下八百万张销售佳绩的专辑「Under My Skin」巡迴表演的时候，这位在加拿大出生的庞克-流行劲妹发现她比较偏好表演速度与节奏较快的歌曲，于是，她决定要录制一张专辑，这张专辑要能捕捉到这种让她在舞台上尽情宣洩的衝劲十足、火力全开的超高能量。
「The Best Damn Thing」盛满了热腾腾的吉他演奏、信手拈来就让人琅琅上口的热闹副歌、强力流行朋克、以及叛逆的摇滚态度。这和调性较灰暗、内敛的「Under My Skin」专辑大相迳庭，而在一些像是直率、奔放、跟劈腿男友说掰掰的“Everything Back But You”之类的歌曲裡，艾薇儿兴致盎然地为她的歌词构思出虚构情节，而且就像她所说的，这次的歌词灵感不是「直接源自我的日记裡」。结果艾薇儿创造出这些收录在本张专辑中的作品，展现出她在创作以及歌唱方面日渐成长的足迹。从优美、有力的“I Can Do Better”（这是艾薇儿个人最偏爱的歌曲之一）到韧性跃动的第一首主打单曲“Girlfriend ”－这首歌曲出人意料之外地将嘻哈节拍与强而有力的副歌、拍手声以及女生团体风格的合唱结合在一起，又在其中注入朋克摇滚的改造－，再到情感盈溢的抒情曲“"Keep Holding On”─这首歌曲是艾薇儿受邀为20世纪福克斯公司的幻想/冒险片「龙骑士（Eragon）」所特别创作的─，都是最好的佐证。
拥有一双对于强劲、有吸引力的流行旋律特别敏锐而且训练有素的耳朵，艾薇儿因此可以积极参与「The Best Damn Thing」专辑的每一个创作阶段：从独立谱写自己的歌曲（「我在创作这张专辑裡的歌曲时，身边没有唱片公司的人来左右我的意见。」她特别强调，「我非常清楚我要什麽样的音乐。」），到选择制作人和合作伙伴，再到回到录音室裡一再琢磨吉他和鼓声，艾薇儿都亲自悉心参与，好确保这张专辑将成为她至今最棒的一张作品。这几年她的态度或许更圆融了些，但她仍是无与伦比、勇敢大胆的艺人。「The Best Damn Thing」展现出艾薇儿迈入新阶段后的生命，她已经走过愤世嫉俗的灰暗青少年时期，并且再度于聚光灯下昂首挺立，她已经准备好要尽情享受工作的乐趣、尽情摇滚、甚至尽情舞蹈。这就是－正如她在专辑标题中所说的－她所做过的最棒的事。
The first clue to the sound of Avril Lavigne's third CD, The Best Damn Thing, comes in the form of her kickoff single, "Girlfriend," which is filled with singing, clapping, and cheerleader-style chanting. The song is quite a sonic contrast to her previous disc, Under My Skin, which was considered to be Lavigne's more mature follow-up to her 16 million-selling debut CD, Let Go. Like that debut, The Best Damn Thing will be largely and deeply embraced by teenage girls, and is packed with songs that will create enthusiastic sing-alongs in concert. There are a handful of numbers that will appeal to a wider audience; "Innocence" and disc closer "Keep Holding On" would both fit perfectly in a Gray's Anatomy episode, while the sultry message and solid harmonies in "Hot" will appease ears of many ages. Lavigne's husband, Sum 41 frontman Deryk Whibley makes an appearance as producer and instrumentalist on a handful of tracks; their union, however, seems to have bred more than love. "I Don't Have to Try" and "Everything Back But You" both have a frenetic pace and chorus that is so eerily Sum-like that if they weren't married, a copyright lawsuit might ensue. That aside, the record oscillates between lyrically acerbic fare ("One of Those Girls," "I Can Do Better") and fluffy sugar-pop melodies ("Contagious," "The Best Damn Thing") delivering far more spunk rock than punk rock.